takhirviolinest (October 12, 2008 at 2:08 am)

The Finale (Coda) is very fast and very clean. (a not speak about high notes (becuse in this tempo to hard to listen all notes)

takhirviolinest (October 12, 2008 at 1:59 am)

He play only like hem.

Violinater (October 10, 2008 at 3:57 am)

you play it for us then ill show you the "fine line." trying to be to unique. Someone's jealous...

stradivari147 (October 2, 2008 at 5:38 pm)

Who on earth is your teacher?

xolotlzocoyotzin (September 24, 2008 at 1:34 am)

simplementeperfect¡

2ndAveLine (September 17, 2008 at 5:37 am)

This guy's a cowboy- wildest, most soulful, the best interpretation I've heard of this. He really feels the music.

throbbingguru (September 16, 2008 at 1:13 am)

I've wasted so much time and have gone through so many shoulder/chin rests in the attempt at keeping my bow/scroll parallel/perpendicular to this or that imaginary ideal...whatever. Technique serves the musician, not the other way around. Gitlis kicks ass.

gnatural (September 8, 2008 at 2:17 pm)

my goodness that vibrato!!! ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh!!!! soo expressive, i love his style

hakmirchai (September 4, 2008 at 5:35 am)

Yeah, I like his interpretation the best, even if he needs to buy a variable speed vibrato and his bowing is flawed. He plays with a spark, a flame, a passion, and of course that Israeli chutzpah!. I think even Saint Saens himself would admit that.

crankycaz (August 29, 2008 at 9:51 pm)

I always thought a good violinst should have a parallel bow at all times. Then I got more advanced and learnt that most of the time it doesn't have to be, in fact it's better if it varies more for different tones. It's a bit like learning in physics that the electron is the smallest particle, then you get a level higher and learn that it was a temporary lie until you could cope with knowing more!