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voolare (November 30, 1999 at 12:00 am)
Has anyone noticed the fingering of the left hand between 0:45 and 0:59? At first he uses one fingering in order to bring out certain notes with a certain sound; in the repeat of those same musical bars, he changes the fingering in order to achieve a softer and less accentuated sound. This is the kind of dedication this genius gives to the quality of sound!
queenielove7 (November 30, 1999 at 12:00 am)
imitate clavichord!
sourcecrystalline (November 30, 1999 at 12:00 am)
alala ! I like seeing these young recordings of him ! He is just SO beautifull to see and when he "mechanically " put his hands with so much precisions..look specially at the left..I pure inspiration !:)
severelyaddictedgal (November 30, 1999 at 12:00 am)
Pogorelich is a wonderful pianist
moddanis (November 30, 1999 at 12:00 am)
"WRiTE"; or Writing has a Mechanic of its own.Writing Music DoeS have this MACHiNE, too.. Also, Piano is a Machine & has it'a mechanic.if someone doesn't make these ALL; with His CapAble Hands; then I must predict these all Myself,,while listening to performers SoulS,,..(If learned; mechanical side of music,firstin my Ears;then compare the soul of musiC in My Soul..Ear of human is a TOY, & I need "ToyHANDS" to "play with music" as it Was a TOY made for the "Ear the TOY")
smithsherman (November 30, 1999 at 12:00 am)
You're idea of correct is an Arte-Deco one...nothing to do with the real Baroque.
Perkeno (November 30, 1999 at 12:00 am)
Barda? Are you kidding? And Horowitz, as great as he was, couldn't play Scarlatti correctly.
libetta (November 30, 1999 at 12:00 am)
you make little sense. could you elaborate further?
smithsherman (November 30, 1999 at 12:00 am)
Ghost's ramblings about "Exuberant Baroque and Strict Metrical control"show how little he knows of the Baroque.He's been reading 20th century conservatory manuals.
libetta (November 30, 1999 at 12:00 am)
can anyone here tell me how this compares with irena koblar's interpretation? (they both played this on the same hall) |
