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reneplatini (November 30, 1999 at 12:00 am)
Aquí tenemos al gran Rostropovich aunque él descansa ya en el Más Allá, en la Gloria
FoxyBookworm (November 30, 1999 at 12:00 am)
I just got back from a concert where a 14 cellist from Texas performed this piece with every ounce of beauty as Rostropovich. Watch out for Russell Houston in the future.
volturrachick (November 30, 1999 at 12:00 am)
Wow lots of comments lol u really are a cello nerd =D just kidding -- i myself am a clarinet freak.
CelloNerd314 (November 30, 1999 at 12:00 am)
Nevermind - I listened to it again with that in mind and maybe I was just knitpicking.
CelloNerd314 (November 30, 1999 at 12:00 am)
at 3:12 is where I really start to dislike the tempo...it feels as if it's in one, which makes the sense of alertness and precision crumble (in my opinion). It has nothing to do with getting all the notes - Slava could get them at any tempo - but the character of the music changes slightly.
CelloNerd314 (November 30, 1999 at 12:00 am)
I mean, from the moment you here the call of the oboe, it really puts you in a new world.
CelloNerd314 (November 30, 1999 at 12:00 am)
I am in awe (again) of Rostropovich. And, also, of the Saint-Saens concerto. Ah, the chords and notes create their own textures and musical significance...for the first time, I get an impression of power as well as beauty.
powerthis (November 30, 1999 at 12:00 am)
i just wish that he would slow down the sixteenth note so it is easier to hear all of the notes but otherwise fantastic.
glizdusia (November 30, 1999 at 12:00 am)
oh godthose eight first notesthey are so deepso beautifulthey make me feel like to be in another world
SquimpyLove (November 30, 1999 at 12:00 am)
Oops! Thanks for the correction. :) |
