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John Coltrane - Impressions - 1961

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1961 in Baden-Baden GermanyJohn Coltrane - soprano sax, tenor saxEric Dolphy - flute, alto saxMcCoy Tyner - pianoReggie Workman - bassElvin Jones - drums

Channel: Music
Uploaded: November 30, 1999 at 12:00 am
Author: Astrotype

Length: 08:39
Rating: 4.92
Views: 76742

Tags: Coltrane  Dolphy  Eric  Jazz  John  

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Video Comments

mshakhz (November 30, 1999 at 12:00 am)
repetition is how we learn ;)
robertclemon (November 30, 1999 at 12:00 am)
what do you do for an encore behind something like this?
elguitaro (November 30, 1999 at 12:00 am)
whoops, had no idea that went through the first time... sorry for saying the same thing twice!
elguitaro (November 30, 1999 at 12:00 am)
While Impressions does follow the same structure, you're a little bit off on the Blue Train comment... Blue Train actually precedes Kind of Blue by 2 years. Blue Train from 1957 and Kind of Blue from 1959. On Blue Train Coltrane still sounds like he's working around the idea of superimposing as many chords as possible over a single given bar line... the whole "sheets of sound" approach... whereas after Kind of Blue he got into the heavier modal approach... A Love Supreme, Impressions, etc...
elguitaro (November 30, 1999 at 12:00 am)
Blue Train came out in 1957, Kind of Blue wasn't out until 1959... Coltrane's basis for Blue Train sits more alongside his work on superimposing extended chords on top of a standard set of changes (in Blue Train's case an Eb blues). What Ira Gitler called "sheets of sound." The modal stuff came a bit later on, though...
mihirmaiden18 (November 30, 1999 at 12:00 am)
awesome song and musician! coltrane's style is definitely raw!
musicchild4L1f3 (November 30, 1999 at 12:00 am)
impressions and so what use the same chord progression... coltrane was inspired to do blue train because of so what as well
TallSomeone (November 30, 1999 at 12:00 am)
Got damn! Pay Elvin first!
sergiatti (November 30, 1999 at 12:00 am)
the two chords of this song make me feel more than the kind of music you listen
DougDinsdale (November 30, 1999 at 12:00 am)
And I think that the LACK of ability to experience a wide range of conflicting emotions while listening to great music, is a sign of either deeply repressed feelings, or tone deafness.

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